As a person that has a lot of ideas and no coding or art knowledge, it sucks because I know I can’t expect someone else to do it for me and I don’t have the time or mental capacity to learn. I guess I can just have AI do it for me now /s
I envy you in some ways, recognizing your limits is something I wish I would have done. I came from a coding background, spent like 2 years learning unity, then eventually realized much of the cool stuff for games happen on the art side. So I learned blender… the whole pipeline- modeling, sculpting, materials, animations, each piece had it’s own challenges and quirks.
It’s been like 15 years since I started, I still haven’t released a game… but I do have a collection of neat prototypes that no one has played. I often wonder if I’ve wasted my time with the whole thing. If I could go back, I’d choose one niche, specialize in it and find a team to collaborate with, but there are trade offs with that too like giving up a lot of creative control.
I think it’s probably better to have taken action as you’ve learned a lot, people like the person you replied to and myself “know” our limitations but then we don’t do anything so you’re 15 years more advanced in your knowledge and I’m 15 years stagnant no better than I was from the start.
Yes this is what I tell myself to keep from going insane, I learned a lot. Unfortunately the majority of these skills I’ve acquired are not applicable to “pay the bills” work. By trade, I’m still building web forms and streamlining internal business processes - what would it look like I spent those years on perfecting that craft instead? What if I didn’t block out my evenings and sacrifice time with friends and family? Life is always a series of trade-offs, I suppose.
In an ideal world we’d all be encouraged to take on creative pursuits and have the ability to do so, rather than feel guilty for them. Maybe someday, right?
Nah, call it a mental block or creative fear or whatever, but publishing is an open invitation for criticism and negative feedback. If I’m crossing into that, I feel a need for it to at least be a complete package I’m presenting. This is just my experience, most devs will advise you to get your work in front of an audience as soon as possible and iterate quickly.
Stopped myself before I got in as far as you but realized my roadblock is art. I can’t solve this one: I lack the creativity and patience to do the art, and naturally nobody will ever work for free, nor should they.
I wasn’t really sure how to proceed so I started studying for various tech and cloud certs instead. Might as well put my skills to use somewhere.
Heh I can relate, a proper artist - someone with a creative mind and vision - will still run circles around me. I often rely on references and “copying” previous work. I also never learned to draw, instead jumping straight into 3d modeling. Drawing is basically the quickest way to experiment with concepts and designs and that knowledge gap has become a glaring issue over time. There’s no “fix”, just 10,000 more hours of practice…
You can have someone else do it for you. You just need the money. Give yourself Executive Producer credits, tell them your vision and pay them to make it happen.
Same here, I have one idea for a simple 2D game that I would like to make just so it exists. I even got myself Unity (before they stopped being cool) and tried to do some tutorials, but I just don’t have what it takes.
If you still want to make the game despite that, I’d recommend watching some of Pirate Software’s youtube shorts for motivation. He’s got some great gamedev advice.
For some reason, I click it, and Google translated it for me?
Hello,
me and my team (we are atm 3: me and 2 school colleagues) started a pretty big project last week. I know it sounds crazy, but we are working on a successor to WoW. Please don’t say we can’t do it anyway, because we are very ambitious and are very experienced WoW players. I’m posting here to find more people for our team. We have a modeler (me), a musician (for the background music and sound effects) and a community manager. We are still looking for a programmer to bring the whole thing to life. If you would like to apply, please post what experience you have so far with game programming and what programming languages you know (we want to write the game in Java because we already learned a bit of Java at school last year).
Our goals/motivation: Wow is now a few years old and Blizzard doesn’t seem to be thinking about a successor. Instead, they create one extension at a time. The graphics are quite old and WoW2 is supposed to look much better (my models are almost photorealistic). The quests should be more exciting (don’t always kill XY, get XY). >There will be epic battles with up to 500vs500 fighters. We have invented two new classes: Necromancer and Hobblings. But I don’t want to tell you everything here and save it for later. I will send a project plan to anyone who is interested. ^We can’t pay for the work, but when we publish it, for example, we share the subscription fees we get ($10 per player).
The OP replied a few time as well, reiterating that this is a serious project. They even uploaded some of the “photorealistic” models, but the pics are offline, sadly.
I don’t think it was ever truly revealed whether it was an elaborate troll or just a spark of adolescent folly.
After success with my senior project, developing a real game with a team of 15 that we’re releasing on Steam, which I feel really good about, I crave the experience of working in a team to develop a game. But of course, my hobby project is a nonprofit endeavor so I can only expect volunteers, and even though I feel I can get the coding down mostly on my own, I feel like I might be asking too much by hoping for an artist or few to join with me… maybe I just need to change up my approach, and offer equal shares of creative control, that way it’s not “help me make my game” so much as “join me and we’ll make our game.”
Do it dude - if you’re passionate about building a rich simulation game then there’s a good chance you’ll create something awesome. We’ve seen huge successes with Dwarf Fortress and Rimworld - those sort of complex simulations can be both fun and dazzlingly interesting in terms of their emergent game play.
It’s relatively simple to get started, just simulate one thing or render one simple 10x10 grid, and work your way up. Remember that video games take a lot of effort and set reasonable goals and milestones to recognize your progress… DF originally played on an, essentially, fixed map with no z-plane - wildlife was non-existent and sieges were just pre-planned events.
Same boat… But I had some success with low poly 3D models which I found are pretty easy to make. Learning a bit about color theory, how to match colors, as well as learning a bit about level design goes a long way. You can make a great looking game this way.
But my dream game is 2D pixel art, and I really suck at it.
You mean like an MMO where different maps are arranged in an infinite hexagonal pattern that’s randomly/procedurally generated based on different biomes, that also keeps track of how many players have entered/completed each hex and begins scaling down the difficulty in said hex and evolving it into a more peaceful zone, that way the higher traffic areas eventually form safe zones/towns for low level characters while low traffic areas encourage high level characters to visit and explore, with the highest level characters able to survive unexplored areas and expand the map for all players, all while having developer tools to specifically add unique dungeons/events/items directly to tiles so that the game doesnt feel a mile wide and an inch deep but instead as if the whole world map is alive and constantly changing?
Definitely some cool ideas there but how do you deal with the long term effect of the map becoming too big?
The bigger the map the more the defs would need to stretch their resources to adding cool stuff.
Also, at some point, the inner hexes will be essential all complete cleared and new players will have to wander for a while as soon as they level up a bit.
Unlocking a new hex would be fun at the beginning but how fun will it be after 100+ have been unlocked and any more just will inevitably just feel same-y because even the best defs will eventually run out of ideas
Welcome to Wayne’s World: The Game You find yourself in Aurora, Illinois, the hometown of Wayne and Garth. You’re on a mission to help them prepare for their biggest public access TV show yet. Scene 1: The Basement You’re in Wayne’s basement, surrounded by music gear, posters, and a comfy couch. Wayne and Garth are brainstorming ideas for their show, but they’re stuck. They need your help to come up with a killer opening segment. Do you: A) Suggest a musical number with Wayne and Garth performing a duet of “Bohemian Rhapsody” B) Recommend a comedy sketch parodying a popular movie or TV show C) Propose a special guest appearance by a local celebrity D) Suggest a “Top 10 List” segment, à la David Letterman Choose your response:
…
You have found the Encino Man Dungeon.
Encino Man: The Adventure Begins You are Brendan Fraser’s character, Link, a caveman who has been thawed out and is trying to navigate modern life in Encino, California. Your goal is to make it through each scene without getting into too much trouble. Scene 1: The Thaw You wake up in a block of ice in a backyard. You’re confused, hungry, and thirsty. You see a garden hose nearby. Do you: A) Drink from the hose B) Try to break out of the ice C) Look around for food D) Take a nap Choose your response:
LLM to generate ideas, history to check uniqueness
I had a cool idea that I completely gave up on because I tried to learn how to do it and realized what I was asking was so insanely complicated and time consuming that I couldn’t do it. I play a lot of games, I know what would make a good one, there’s just a gaping chasm between knowing and creating.
The problem is that this complexity isn’t just a one-off thing you need to get through. There’s a ton of details which matter, which you will not have thought through as part of your idea.
Many of these details, you will encounter as you write code. As in, you’ve just worked for three weeks on a feature and then realize a glaring problem in one of the details. Then you spend another week trying to find a solution. And worst-case that solution is to rip out that month of work and start fresh.
This has been my biggest learning from dabbling in gamedev for a while: Make a stupid paper model first.
Even if you spend a week glueing sheets of paper, and you don’t really even get that close to your actual idea, the more of these details you think of upfront, the higher your chance of getting anywhere (or scrapping your idea without wasting months trying to put it into code).
Well, and the other big learning was: Holy crap, gamedev is hard.
I know how to “code”. I’m a senior developer and have worked on multiple large-scale software projects.
The scope of the game I was trying to create, was laughable in comparison. As in shitty 2D, tile-based, turn-based.
I encountered performance problems like I’ve never had to deal with in my career, because it turns out the whole games industry is fueled by smokes and mirrors.
Know how ray-traced lighting is the craziest new technology? Yeah, that’s literally just a matter of hardware being strong enough that we can simulate lighting in the way it actually works. It’s conceptually simpler than the ever more sophisticated bullshitting we did beforehand.
have you ever smoked weed? ideas are cheap - even ones that seem good. ACTUAL good ideas are only proven good when they are implemented AND become successful.
That’s like saying a lot of banger songs could exist but the person doesn’t know how to write music.
Absolute delusional bullshit.
Verifying the idea is good is also part of the process. Play testing, making hard decisions, smoothing out jank, juicing up the experience… The whole implementation can make or break a game.
Not “great novels” but great “great world building”. I’ve seen some absolute bangers out there where the concepts, characters and even the overall plot blew my mind away. However, the authors couldn’t write decent dialogues or a coherent chapter of their life depended on it. So, most people wouldn’t be exposed to their ideas.
I had to learn that the hard way, but with a comic/manga idea I used to have.
Long story short: I worked way too long on an idea (almost 10 years), all while my taste etc. changed. It would have been way too hard to get it working after a while without a complete revamp of the whole idea, so I ditched it completely, maybe reuse elements and character concepts in other things, including video games (yes, they’re easier to make, unless your comic’s artstyle is stickmen figures).
The inability to detail the idea all the way down to the level were something concrete can be made from it kills it well before the lack of coding skills.
It’s like what separates having an idea for a book and writting an actual book that is enjoyable to read: there is no “knowing how to code” barrier in there and yet most people can’t actually pull it off when they try or it ends up shallow and uninteresting.
This is actually one thing I’ve been thinking AI and deepfake tech can potentially do good. Let’s say you have an idea and can code… You have an idea for music but no instrumental talent, so the best you can do is hum it. You can’t afford voice actors or other professionals.
Or maybe you’re artist with an idea who can storyboard but not code. Maybe you can make 2d designs but not 3D models, or aren’t great at animate.
But… there is software that can take what you say and change it to a different voice. It can animate a model to match the words. Similarly, software that could generate instrumental sounds from humming is possible. An AI can generate interactive dialog. It could also provide assistance in the generation of music, debugging of code, and eventually more advanced 3D modeling.
A lot of game design software is much more a GUI to an environment/model and triggers etc than stuff like writing hardcore backend C++ code etc. AI could take that even further.
Then add VR. Drop somebody into a blank-slate where they can create a whole world with a word, a gesture, and a great idea.
The fable of the Chicken and the Pig is used to illustrate the differing levels of commitment from project stakeholders involved in a project. The basic fable runs:
A Pig and a Chicken are walking down the road.
The Chicken says: “Hey Pig, I was thinking we should open a restaurant!”
Pig replies: “Hm, maybe, what would we call it?”
The Chicken responds: “How about ‘ham-n-eggs’?”
The Pig thinks for a moment and says: “No thanks. I’d be committed, but you’d only be involved.”
I heard of it from a Reddit comment about an easter egg location in Diablo 3 called “The Fowl Lair.” It’s filled with chickens and a single Greasy Pig.
I know it’s not the point, but I love the completely arbitrary bit where they’re walking down a road together, and has absolutely no bearing on anything the happens.
Substitute “walking down a road” with: “having dinner at a conference”, “chatting over lattes at the local coffee shop”, or “at a neighborhood cookout” as makes sense.
I once read an article about a guy, whos just doing this. He is selling gaming ideas to studios. But to be fair, he did develop some indie game by him self. He just realized, that he is not good in developing and the hates the whole programming and design part. He only has good ideas.
I actually wish this mentally kindof existed for hobby projects (although it doesn’t seem to, but please prove me wrong), like “looking for a programmer for X project to do Y” type posts where us programmers can more easily find projects to participate in (and they can find good people too) that we have a great interest for, rather than hunting sites like up-for-grabs for single feature requests to fulfill or starting completely new projects on our own.
Hey there, champ! I appreciate your enthusiasm, but I’m afraid I have to disagree with your statement. Game development with effort or coding skills? Today I’m gonna show you how to do it without any effort, it’s like becoming an astronaut by watching the big bang theory!
Let me break it down for you. You see, creating a video game is as easy as pie. Typically, you would use lines of code. But what if I told you that you can gather a bunch of random images from the internet, throw them into a a computer, and voila! You’ve got yourself the next “Call of Duty” blockbuster. Going by standards nowadays people will be lining up to buy your game, guaranteed!
Who needs coding when you can just use a magic wand and poof your game is magically coded? Just like that! Forget the coding aspect of it, you can make a game effortless! How do I do this you ask me? Well, If you really want to master the art of game development without lifting a finger, I have the perfect solution for you. Introducing my revolutionary course: “Effortless Game Development Masterclass”! In this course, you’ll learn the ancient secrets of game creation without any pesky coding skills or effort required. You’ll be churning out awards winning games in no time, all while lounging on your couch and eating Cheetos. 😎😎👊 Dm me if you want more info for the affiliate link
You have to put /s in the end, because people in this day and age can no longer recognize sarcasm, probably because we all spend way too much time on the Internet.
You absolutely nailed it LOL. Those flashy courses with absurd prices and “funnel techniques” prey on idea-people who are scared of code like whale sharks on plankton.
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