One thing LotR does very well: lets men show emotions that aren't anger. Frodo smiles, shouts Gandalf's name excitedly, cracks a joke with him, and gives him a hug. That's how you know they're old friends.
“My man.” “My man.” (In unison) “Hurrah”
“What are we doing today?”
“We’re going hunting. Because we’re men. Because we like to do it. Stop being a bitch”
Yeah, if made in last 10 years, they might have turned Aragorn into some kind of Conan the Barbarian ripoff. Not necessarily, for example, RDJ’s Iron Man has a lot of complex emotions and nice arc. But, they could. I mean, look at Galadriel in Rings of Power.
Go back, Sam! I’m going to Mordor alone.
Of course you are. And I’m coming with you!
It always makes me tear up. Fantastic films.
Conversely, the worst film I’ve seen in recent years must be the third(?) fantastic beasts film. I still have no clue what actually happened or what it was trying to tell. It was such a jumbled mess, and them changing out the actor of the main villain for the third time didn’t help much.
This is an answer I’m not seeing here enough. The score for LotR just FORCES you to feel the feelings. Don’t wanna be happy? Too bad, we’re in the Shire bitch.
This is how I felt when I tried to watch Rogue One. It’s part of one of my favorite franchises yet it is also an entire feature length film without one single character in it who I give a shit about.
Rogue One was better than most of the drivel Disney has put out. Thank god there were finally some new characters. anitnal revolves around the same 3 fucking families.
I actually did enjoy Andor a lot. That was why I tried watching Rogue One again, since I thought I might like it better with the added context, but I still just got bored
That’s why it was so great. It wasn’t about the hero punching people in the face whilst an army of troopers consistently fail to shoot them, or destiny babies failing upwards towards success.
This was a movie about normal people. Nameless people who were all parts of a whole, an orchestra of concerted effort to overcome the insurmountable. Some of them were in it for the ideal, but most of them were just in it to keep the person next to them alive. No one will sing their praises, and they don’t expect anyone to, as none of them expected to see the light of day.
It was one of the most humanist movies I’ve seen in a long time, universe be damned.
I wasn’t a huge fan of the sequels either lol the first one was ok but after that they were pretty awful. I at least felt like I kind of knew the characters by the end though
Yes, the word we are searching for is contemporary. Technically all films are modern, but not contemporary. Though modern has expanded definition to include it generally as well but I like to explore language :)
To me, modern says more about the techniques and methods used. In that respect, not much has changed even though 25 years has passed. Even stylistically it is more similar to a current film than one filmed 25 years before its release, i.e. mid 1970s. As someone else said, contemporary is a better word for describing its age than modern.