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Bienengeschichte , to histodons German
@Bienengeschichte@mastodon.social avatar

Kennt ihr Fördermittellinien, die die Zusammenarbeit zwischen Hochschulen und Museen fördern? Länder wären Thüringen bzw. Bayern. Wäre für jeden Hinweis dankbar.

@histodons

thevglibrary , to bookstodon
@thevglibrary@mstdn.social avatar

Not sure if I'll be able to get my hands on a copy, but very excited to see this collaboration between "OXO Museo del Videojuego Málaga" and "Héroes de Papel".

This book about will be released alongside the museum's temporary exhibition.

https://www.thevideogamelibrary.org/book/dinamic-the-first-video-game-company-in-spain

@bookstodon

mythologymonday , to folklore
@mythologymonday@thefolklore.cafe avatar

Hello, Myth Lovers! To celebrate International , we'd love to see your posts about ! Which museums have great mythological art? Which are your favourite artifacts? Do you have a favourite ? Where have you seen an amazing work of art related to mythology? Use the hashtag for boosts!

🎨 Kos Archaeological Museum,

@archaeodons @mythology @folklore @TarkabarkaHolgy @juergen_hubert @curiousordinary @wihtlore @FairytalesFood @bevanthomas @FinnFolklorist @Godyssey @GaymerGeek @starrytimepod

WerkstattGeschichte , to histodons German
@WerkstattGeschichte@openbiblio.social avatar
Athenenoctua , to histodons French
@Athenenoctua@mastodon.gougere.fr avatar

Dessin de Romanin, alias Jean Moulin, qui était aussi un dessinateur talentueux et joyeux, doublé d'un collectionneur d'art.

Vu dans l' "Jean Moulin, les voies de la liberté" du Centre d' de la et de la à .


@histodons

Barros_heritage , to culturalheritage Spanish
@Barros_heritage@hcommons.social avatar
Barros_heritage , to histodons Spanish
@Barros_heritage@hcommons.social avatar

Theft of Bronze Age gold artefacts from UK museum sparks fresh concerns about lack of government investment in sector by Joe Ware

“The theft of a Bronze Age gold torc and bracelet from a UK institution has sparked calls for greater government investment in the museum sector.

Police are yet to make arrests and are appealing for information to track down two thieves who broke into the Ely Museum, Cambridgeshire, on 7 May and escaped on electric scooters.

With gold prices hitting a record high in recent months experts are worried that the precious artefacts, worth £220,000 in their current form, might be melted down for their scrap metal value.”

@academiccommunity
@culturalheritage
@histodons
@archaeodons

https://www.theartnewspaper.com/2024/05/14/theft-of-bronze-age-gold-artefacts-from-uk-museum-sparks-fresh-concerns-about-lack-of-government-investment-in-sector

jtheseamstress , to historikerinnen German
@jtheseamstress@hcommons.social avatar

Save the date! The next 19th Century Dress and Textiles Reframed "At Home" online talks will be on Sunday, June 30, "focused on photography and its connections to 19th century fashion".

Programme:
📸 Robyne Calvert: Artists & Photographic Fantasies
📸 Erika Lederman: 'Counterfeit Specimens'. Isabel Agnes Cowper's Needlework Photographs for the South Kensington Museum
📸 Beatrice Behlen: Mrs Broom's photographs of suffragettes

Follow the link for abstracts and registration (free): https://www.eventbrite.co.uk/e/at-home-with-c19th-dress-and-textiles-reframed-30-june-2024-200pm-bst-tickets-715162429077

@histodons @historikerinnen

Books_of_Jeremiah , to historikerinnen
@Books_of_Jeremiah@zirk.us avatar

Courtesy of the of the Revolution of the Peoples of , inventory numbers: 6331, 6339, 6343, 6359 and 6360. The were bought from Vojin Đorđević from on 26.01.1965.

After the capture of Yugoslavia in April of 1941, the was designated as the storehouse for the captured equipment, ammunition, weapons and petrol of the Royal Yugoslav Army, which was to be used in the attack on the USSR. 🔽

@historikerinnen

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Barros_heritage , to anthropology
@Barros_heritage@hcommons.social avatar

COMMUNITIES AND MUSEUMS IN THE 21st CENTURY. Shared Histories and Climate Action.
Edited by Karen Brown, Alissandra Cummins, Ana S. González Rueda. 2023

"Communities and Museums in the 21st Century brings together innovative, multidisciplinary perspectives on contemporary museology and participatory museum practice that contribute to wider debates on museum communities, heritage, and sustainability."

"Communities and Museums in the 21st Century proposes creative and sustainable strategies relevant to a globalised future. With its focus on global societal challenges, this book will appeal to museologists and museum practitioners, as well as those working in heritage studies, cultural studies, memory studies, art history, gender studies, and sustainable development."

@academiccommunity
@bookstodon
@histodons
@histodon
@anthropology

https://www.taylorfrancis.com/books/oa-edit/10.4324/9781003288138/communities-museums-21st-century-karen-brown-alissandra-cummins-ana-gonz%C3%A1lez-rueda?_ga=977346299.1714401136&_gl=1

brian_gettler , to histodons French
@brian_gettler@mas.to avatar

Oh boy.

Vu le parti politique et l'historien qui mènent le projet, il faut être bien innocent pour croire que le musée sera national et non pas nationaliste. @histodons

https://www.lapresse.ca/arts/2024-04-25/quebec/un-musee-national-d-histoire-sur-les-cendres-des-espaces-bleus.php

Barros_heritage , to anthropology
@Barros_heritage@hcommons.social avatar

"Getty Museum restitutes ancient bronze head to Turkey" by Elena Goukassian

"Los Angeles’s J. Paul Getty Museum will return an ancient bronze sculpture of a young man’s head to Turkey after an investigation by the Manhattan District Attorney’s Office revealed that it had been looted in the 1960s.

Head From a Statue of a Youth (1st century BC-1st century AD), a bronze head with curly hair and light stubble on the chin, is believed to have been created as a separate cast from the rest of a now-lost life-size body that has never been identified. Researchers know the figure was once whole, because the neck has “evidence of ancient joins on the interior along the break”, according to a press release
, and the eyes—now mere holes in the metal—were “once inlaid with an unknown material”."

@histodons
@histodon
@anthropology
@culturalheritage

https://www.theartnewspaper.com/2024/04/25/getty-museum-restitutes-ancient-bronze-head-turkey

ib , to historikerinnen German
LMWStuttgart , to histodons German
@LMWStuttgart@xn--baw-joa.social avatar

NEU im "Von falschen Herzoginnen und der Macht der Ausstellung I Teil 1".
Am 16. Juni 1870 kaufte die Königliche Staatssammlung vaterländischer Kunst- und Altertumsdenkmäler ein , von dem man lange dachte, es stelle Franziska von Hohenheim dar, die spätere von . Doch unsere Kuratorin Almut Pollmer-Schmidt kam kürzlich einem Missverständnis auf die Spur...
🕵️‍♀️ https://blog.landesmuseum-stuttgart.de/von-falschen-herzoginnen-und-der-macht-der-ausstellung-i-teil-1-franziska-von-hohenheim/
@museum @histodons

WerkstattGeschichte , to historikerinnen German
@WerkstattGeschichte@openbiblio.social avatar

Zum heutigen ein Lektürehinweis: Rückblick auf Diskussionen über die Rückgabe geraubter Kulturgüter vor 50 Jahren

▶ Anna Valeska Strugalla, Museumsdirektoren nehmen Stellung. Argumentationen, Intentionen und Geschichtsbilder in der Restitutionsdebatte der frühen 1970er Jahre, 81/2020, https://werkstattgeschichte.de/alle_ausgaben/steine

@histodons @historikerinnen @museum

Barros_heritage , to academicchatter
@Barros_heritage@hcommons.social avatar

SPANISH CIVIL WAR. A VIRTUAL MUSEUM.

"The only museum on the Spanish Civil War, which is online and has been promoted from Canada, is in full expansion. Opened a year and a half ago, the Virtual Museum of the Spanish Civil War has just surpassed 71,000 visits coinciding with the opening of four new galleries, the addition of more than 150 entries and the translation into French of all content, which is also available in English and Spanish." Source:

@histodons
@histodon
@academicchatter
@academiccommunity
@sociology

VIRTUAL MUSEUM: https://www.vscw.ca/en/node

https://www.eldiario.es/sociedad/unico-museo-guerra-civil-virtual-alojado-canada-crece-espana-hay-miedo-afrontar-pasado_1_11241291.html

ib , to archaeodons German

Ich war ja vor zwei Wochen im in Frankfurt am Main und kann es nur wärmstens empfehlen. Macht Euch aber darauf gefaßt, daß Ihr kontrolliert werdet, als ob Ihr ein Flugzeug besteigen wolltet. @museum group @archaeodons group @histodons group
Jüdisches Museum FFM (@jmfrankfurt.bsky.social)

Barros_heritage , to academicchatter Spanish
@Barros_heritage@hcommons.social avatar
ib , to archaeodons German

Gestern im in Frankfurt/Main. Es ist, als ob man ein Flugzeug besteigt: Vor der Tür bein Wachmann. Man muß klingeln, um eingelassen zu werden. Drinnen werden die Taschen durchsucht. Man muß durch einen gehen. Ich muß meinen Schlüsselbund abgeben, weil dort ein Schweizer Offiziersmesser dran hängt. Das ist auch nicht erst seit dem 7.10. so. Scheiß !

Das Museum ist sehr sehenswert. Es präsentiert die Ausgrabungen im ehemals jüdischen Wohnbezirk. Die Fundamente von fünf Wohnhäusern sind begehbar.
@museum @archaeodons
juedischesmuseum.de/besuch/mus…

Barros_heritage , to anthropology
@Barros_heritage@hcommons.social avatar

Israeli Damage to Archives, Libraries, and Museums in Gaza, October 2023–January 2024 (A Preliminary Report from Librarians and Archivists with Palestine).

"The destruction of cultural heritage in Gaza impoverishes the collective identity of the Palestinian people, irrevocably denies them their history, and violates their sovereignty. In this report, we offer a partial list of archives, libraries, and museums in Gaza that have been destroyed, damaged, or looted by Israeli armed forces
since October 7, 2023."

"We compile and offer this information with the understanding that the erasure
of Palestinian culture and history has long been an Israeli tactic of war and occupation, a means to further limit the self-determination of the Palestinian people."

@academicchatter
@histodons
@histodon
@culturalheritage
@archaeodons
@anthropology

https://librarianswithpalestine.org/lap-gaza-report-2024/

aklein , to libraries
@aklein@mastodon.world avatar

interesting panel on indigenous community collections: https://museumsalaska.org/Reframing-Indigenous-Community-Collections-Stewardship

March 8, 2024:
10:00-11:30 AM AKST
8:00-9:30 PM UTC+1


@museum @libraries @culturalheritage

LMWStuttgart , to archaeodons German
@LMWStuttgart@xn--baw-joa.social avatar

Unsere inklusive „Urformen. Eiszeitkunst zum Anfassen“ bietet nicht nur sehbeeinträchtigten Menschen einen Zugang. In unserer App haben wir gleich vier verschiedene Touren im Angebot:

  1. Audio-Tour 👂
  2. Audiodesriptive Tour 👂👁️
  3. Einfache Sprache 📖 👍
  4. Deutsche Gebärdensprache 👐

Infos zur & zum Download:
https://www.landesmuseum-stuttgart.de/app

@museum
@archaeodons

Ansicht in der App: zwei Kacheln für die Auswahl einer Tour zur Urfomen Ausstellung

Barros_heritage , to academicchatter
@Barros_heritage@hcommons.social avatar

"‘Dust is everywhere’: rare glimpse of how Michelangelo’s David is kept clean" by Angela Giuffrida

"Michelangelo’s David is recognised as one of the most sublime works in the history of sculpture, but according to the director of Florence’s Accademia Gallery, dusting it is much like cleaning a bathroom.

“You know when you clean a bathroom, you clean and clean and think you’ve done a great job but then you spot some dust and wonder ‘where did that come from?’,” Cecilie Hollberg said on Monday. “This is what it’s like. Dust is everywhere.”

Once every two months, the Accademia Gallery’s in-house restorer Eleonora Pucci clambers up the side of scaffolding assembled around the 5.17-metre-tall figure and gets to work on dusting David’s marble locks and perfectly toned muscles, using a vacuum and fine brushes and cloths."

@academicchatter
@academiccommunity
@histodons
@histodon
@culturalheritage

https://www.theguardian.com/artanddesign/2024/feb/19/dusting-david-michelangelo-sculpture-clean-florence

Barros_heritage , to histodons
@Barros_heritage@hcommons.social avatar

EMPIRES OF LIES? THE POLITICAL USES OF CULTURAL HERITAGE IN WAR by Nour A. Munawar (2023)

"This article investigates how cultural memory has been manipulated in the war in Ukraine, and in the previously occupied Crimea. We argue that cultural heritage, memory, and museum collections have been removed and/or repurposed to legitimise the current invasion by linking it to a grand narrative of Russian power and the recovery of ancestral lands. We present case studies from the annexation of Crimea (2014), the war in Ukraine (2022 -), and make a brief comparison with the armed conflict in Syria (2011 – 2022)."

@academiccommunity
@histodons
@histodon
@politicalscience
@politicaltheory
@sociology
@culturalheritage

https://www.tandfonline.com/doi/full/10.1080/17567505.2023.2205193

Barros_heritage , to anthropology
@Barros_heritage@hcommons.social avatar

Does LACMA Have a Looted Art Problem? by Gary Baum

"Activists and scholars believe such sacred objects lose their meaning when displayed in glass cases, separated from their cultural context. They also believe many of LACMA’s Nepalese holdings could have been illegally removed from their land of origin. In a few cases, they wield smoking-gun documentation of objects purportedly in-situ back in Nepal. In general, they note that the country allowed foreign visitors only beginning in the early 1950s, after the fall of the authoritarian Rana dynasty; soon after, the government banned the export of culturally significant historic and artistic objects".

@anthropology
@academicchatter
@academiccommunity
@histodons
@histodon
@culturalheritage

https://www.artnews.com/art-news/news/does-lacma-have-a-looted-art-problem-1234696512/

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