I’m not really a poetry guy. I love metaphor and allusion and symbology and fingers pointing at the moon, but when they get dense enough to collapse under their own mass into a poem, my interest usually evaporates. “Just say what you mean!” a part of me shouts out in frustration.
ONLY 548 TICKETS NOW LEFT and still up for grabs for the amazing edition of @neilhimself 🌟🌟STARDUST🌟🌟 with the addition illustrations by both Neil and Charles Vess and of course bound by Lyra’s Books.
I use 'toot' and 'tut'. Tut works nicer with some servers because of a datetime format bug in 'toot' python library that occasionally crashes it. Tut hasn't crashed on me so far.
Only 650 tickets are left from the original 2000 offered for the amazing and beautiful @neilhimself copy of 🌟STARDUST🌟 with additional illustrations by both Neil and Charles Vess there’s only 1 other copy of this edition it’s that RARE! If you check my @Raffall profile you’ll see the Special Edition of Coraline also
I missed a lot of stuff from the book in Season 1, and S2 was clearly too late to bring all of that back. I loved S1 and still enjoyed S2, but I think it would have been even better if they'd made S1 longer. There was much more that could have been told there.
S2 was definitely more like Dr Who than the apocalyptic stakes of S1, but I guess you can do that only once.
Ok folks 682 of those amazing prize tickets left to go if you want the chance to support some great causes whilst having the opportunity to own a 1 of 2 edition of @neilhimself 🌟STARDUST🌟 Neil owns the other one! Link below!!
Remember to check my @raffall_app profile for the Coraline book too at only £5 per ticket
https://gmkeros.files.wordpress.com/2023/12/ancestors-1.jpgThe last few weeks I have been unduly fascinated by Ancestors: The Humankind Odyssey, a 2019 game that was supposed to make the whole of human evolution playable in a breathtaking journey.
You might think that’s promising a bit much, and it is. The game released to rather critical reviews and never made the impact it was supposed to.
And I see why. The game is intentionally impenetrable. It seems in the beginning it didn’t even have the visual cues for the actions I came to rely on, and even with those barely anything is explained. The tutorial is brief and drops you directly into an intensely dangerous world, and the game delights in telling you it won’t give you further hints.
You start as a tribe of hominids about 10 million years ago (the missing link) and have to make your way to about 2.5 million years ago.
In between you have to steer your hominids, start figuring out the world (horsetail good, mushrooms uuugh but filling), invent the first tools like “stick” and “mud” (a truly versatile tool!), and, well, die a lot.
Everything seems made to kill you. Go too high up the tree and an eagle gets you, go through grass a python gets you, walk through water a crocodile eats you. And then there’s the stalker cat which often comes unannounced and pounces you. And unlike the others the cats will stalk you until they can kill you. I had one follow me from one side of one biome to the other.
https://gmkeros.files.wordpress.com/2023/12/ancestors-2.jpgIn between you carry kids with you, because it’s not important what you do with your current character, unless kids see you do it and learn from it. If you do enough of a particular action neural energy will grow and new neurons will activate. In the end its a skill tree system, even if developing it needs generations, or hundreds of thousands of years and a single character will never survive it. From one generation to the next a limited amount of newly learned skills can be kept, but what you really need to get is mutations. These come randomly with new kids, but they won’t become apparent until you do an evolutionary leap. But you need them because some skills are gated by them, and you won’t be able to progress unless you have them.
It’s all very complicated and worse, barely explained.
Unlike many other games this game has nearly no fantastic elements at all. Everything is based on scientific research, there is no story at all, outside of the story of how humans start becoming bipedal and omnivorous… and start killing everything else I guess. The only element I would term fantastical are the meteors.
Danger, here be spoilers: Every once in a while you discover a new landmark and it triggers a cut scene where meteors rain down on the landscape. These will smoke for a while (multiple generations and even generational leaps), but in the end they stop. If your hominid finds them they will gain further unity with the universe, and they will get a free skill, and all kids present get a mutation. It becomes a convenient shortcut to organize an expedition to a meteor site with as many kids as possible to lock down as many mutations as possible over one or two generations. Of course it turns out all these meteor sites have some rather dangerous wildlife nearby, or are in rather inconvenient sites.
https://gmkeros.files.wordpress.com/2023/12/ancestors-3.jpgEven the actual goal of the game is barely communicated: you have to reach the last evolutionary step in the game, reaching the genus homo ergaster, and then the closing animation plays. I guess it was planned that the next part of the series show the further development, alas I don’t think the game was successful enough. It is rather niche, and the only reason I even got it was because it was part of my Humble subscription at one point. Still. It is an interesting game, and one that I spent a lot of time on. It gives you an appreciation of how far we’ve come, and how dangerous cats used to be. Or still are.
For your holiday wish list...my adaptations of classic @neilhimself short stories published by @darkhorsecomics ! Two Eisners, the Locus, Bram Stoker, Ringo Award - & Reuben, Excelsior, Tripwire, Rondo nominees. https://amzn.to/47Jiiwg
Really struck by what @neilhimself says in this interview about writing with fountain pens: "...the process of writing is always a process of trying to trick my brain into thinking that what I'm doing is not important. And I remember the joy of moving from the typewriter to the computer (which shows how old I am) and the great thing was I wasn't making paper dirty. And suddenly writing became easier. And then, I remember the point where I went 'You know, I think it's time to try writing on paper again because that feels less important.'
"But also I was getting fascinated by the way that medium creates sentences. I noticed that when I write on a computer I don't necessarily know where I'm going. I can make false starts and change things. If I'm writing in fountain pen I don't want to see lots of crossings out so I may actually think my way through to the end of the sentence without sort of approximat(ing). I'll get a little bit more precise."
I've had similar feelings. In the typewriter days I used to draft by hand in a throwaway spiral notebook, make notes in the margins, then do my final draft with the machine. First, word processing freed me, but for a long time it's been a trap of always being able to go back and revise. There's never a final draft. I almost embraced my fountain pen a couple years ago. Maybe I'll give it another shot. https://www.ruv.is/sjonvarp/spila/kiljan/32201/a005i3
(quote starts at 26:24, full interview at 19:05)