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Why are techies so averse to funding the arts?

As the guilded age came to a close in the 1900s, railroad barons, industrialists and banking kingpins put money into the arts in order to launder their image and legacies. We see no such thing today. Why is that?

I’m an independent film producer in NYC who has previously acted in Hollywood studio films and sold screenplays. I’m also extremely online. I have found that wealthy techies, in general, have little to zero interest in investing in culture. This has been a source of frustration considering the large percentage of new money that comes from the sector.

I’m not alone in feeling this way: I have a friend who raises money for a non-profit theater in Boston, another who owns an art gallery in Manhattan, and another who recently retired at the LA Opera. All have said not to bother with anyone in tech. This has always bummed me out given that I genuinely believed with all of my heart and soul that the internet was going to usher in a new golden age of art, culture, and entertainment. (Yes, I was naive as a kid in the 00s.)

Art and culture can truly only thrive on patronage, especially in times of deep income inequality. Yet there are no Medicis in 2023. So what’s missing here? Where is the disconnect?

toadstorm ,

Americans especially are trained from a young age to distrust anything that can’t be capitalized upon or used to generate profit. They can understand video games or TV shows, but don’t have the background in arts or literature to understand where the character designs or plot devices came from. Students looking to enter university are almost universally discouraged from entering the arts because it (probably) won’t make them any money as compared to a doctor or lawyer, and the social safety net and arts funding are so underpowered that it’s hard to blame anyone for taking a safer path.

Even with scientific research, something much more familiar to techies, there’s a distrust or disdain in the general public around research that isn’t immediately applicable to profit. Why do astronomy at all when you could be doing cancer research? Why do pure maths when you could be an engineer?

Honestly I think it’s just a natural result of living in a hypercapitalist society ruled by a caste of billionaires who are able to influence government policy more and more every year. They can’t profit from art or culture (except to use it as a money laundering device), so why should it exist at all? Better that we all are forced to work for them in order to pay our bills and get health insurance for our families. I think a lot of us have internalized this and feel like there’s no alternative. I hope there’s a backlash.

razza856 ,

funny thing is the tech we enjoy today is the result of bluesky research that didn’t seem profitable at the time.

monkeyman512 ,

Taxes. My understanding was that tax rates for the very wealthy used to be much higher. So the logic being if they are going to be forced to give up millions of dollars, they can donate to charity instead of paying taxes. Then they at least can still choose what the money gets spent on and their name on a building.

Solemn ,

I feel like part of it that I connect with is seeing arts funding as inherently less important to bettering the lives of people compared to advancing science and technology. I like music and art, but with finite resources I could argue that it’s more useful to invest towards equalizing technologies and general advancement of society.

Ingrid_Skovgard ,
@Ingrid_Skovgard@lemmy.dbzer0.com avatar

They feel like it’s not “needed” Only in the absence of art will they understand.

blegh ,
@blegh@sh.itjust.works avatar

Something I kept hearing when I was younger is that STEM = money and getting a degree or pursuing a career in something that doesn’t make money is a waste of time. This idea gave a lot of people a high and mighty attitude that if you arent working in tech you’re wasting your life. “Get fit and learn to code” became the go-to life advice when I was in my 20s. People that don’t understand art (not as in getting a message out of it, but understanding why people enjoy creative works) telling each other and anyone that will listen that if something isn’t a money making engine theres no reason to do it

TheMedianPrinter ,

As a techie (although not a rich one), the idea of sponsoring the arts has not crossed my mind ever before reading this. After a minute of thinking, here’s my thought why:

  • Techies value different things.

Back in the day, those rich and powerful valued social standing. Money was merely just a (very powerful) signifier of this. Art was a proxy for both money and standing: it showed you had resource enough to spend on frivolity, and also implied you were erudite enough to appreciate it. This is still true today: walk into a traditional rich man’s house, or a place designed to appeal to the wealthy (such as expensive restaurants or professional investment offices), and you will see art on the walls.

Techies, however, are different. Many of them view their wealth and power as achievements despite their social standing, not because of it. Many techies (due to their interest in tech from an early age) were close to social outcasts when they were younger, and as a result they still don’t value social status.

Techies (again, due to their instrinsic interest in tech) tend to value coolness, sci-fi futurism, and impact factor more than anything else. This is why you see the headlines on the latest billionaire investing ridiculous sums of money into impractical tech projects (Elon Musk is a great example of this); they do it mostly because it’s cool techwise and because they think it would make for a really cool future. (Self-driving cars all over the roads? Fully automated drone deliveries directly to your home? Space tourism? VR that is indistinguishable from reality?)

And techies don’t just not value social standing, they almost dislike it (due to being social outcasts again). “Hobo chic” is a perfect example of this: Silicon Valley offices pride themselves on letting their employees wear whatever they want, disliking traditional signifiers of social standing; and when the CEO meets wealthy traditionalist old-money types wearing suits and acting formal, he will wear shorts and a T-shirt (“look at you, stuck in the social maze, having to wear suits and act politely to climb the ranks; now look at me, I am above all of that, for I have intrinsic technical value that you do not.”)

Art, another traditional signifier of social status, is also not valued for the same reason, unfortunately. I don’t think you can change that without a significant cultural shift to the Valley and what it stands for.

illiterate_coder ,

I have been around some of the tech elite you’re referring to, and I propose that the disconnect arises because Silicon Valley uniquely revolves around Scale (how many people you can reach) and Impact (how big a dent you can leave in the universe). It’s impossible to overstate how ingrained it is in the culture, and it is very explicit when you talk to folks at Bill & Melinda Gates Foundation for example: the ability to measure and prove the impact of your project is as important as the project itself.

I admit to being a member of this culture, if not wealthy.

To me, the types of art you mention - art galleries and live theater being good examples - are extremely limited in serving relatively small populations concentrated in city centers where there already is a lot of culture. The generation that created the Internet is, for better or worse, much more interested in bigger investments that can reach everyone on the planet and hopefully improve lives in some measurable and long lasting way.

I’m sure the wealthy here in California contribute to the local arts community just like anywhere else. But there is no equivalent in the arts to curing polio worldwide or giving every child access to the Internet, so I don’t personally disagree with prioritizing these agendas in a coordinated way.

BoxOfFeet ,

I’m not a rich techie, but I guess my view is that I am in STEM. It’s what I understand, and what I value. STEM is produces things of usefulness and monetary value. STEM is facts and numbers.

Where art is based around feelings. I don’t understand that, and I don’t value that. I do value industrial design, like the work of Henry Dreyfus. His streamlined New York Central Hudsons, the Eversharp Skyline, and the round Honeywell thermostat are excellent examples of attractive and useful things. So is Ikea furniture. That’s my art. The Junghans Max Bill is another great example of great industrial design.

Again, I’m not a rich techie. Just a mechanical engineer. But there may be some crossover, who knows.

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