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CoinOfNote , to histodons
@CoinOfNote@historians.social avatar

I'm not late for , it turns out time is an illusion (Lunchtime doubly so). Since I've started whimsical, I'll go with the fun piece I just wrote up - an Imitation Spade Guinea "In memory of the good old days". You should definitely read:https://coinofnote.com/imitation-spade-guinea-good-old-days-uk/ - it talks of I can't afford, imitations of which there are many, garden implements & late 1800s ! Enjoy :)

@histodons @numismatics

crowned spade-shaped shield with "In memory of the good old days" around the edge and the date 1768.
ISG 4970 next to imitation half guinea 4620, both with Georgivs III Dei Gratia around the edge with the king facing right centre.
Image of Vesta Tilley in suit and hat, standing with the caption "Vesta Tilley" above "Odgen's Guinea Gold Cigarettes"

mythopoetica , to academicchatter

Hi Masto, I'm home. The day began with the wind and rain which had me wanting to listen only to The Cure during my commutes and while I was prepping for class. Can the eyeliner be far behind. I jest. My eyes are far too sensitive for eye makeup these days and all of my fancy eye makeup palettes are going to waste.

It was an okay day. Another Drama Lab with my Oral Literacy MA Students. Their big project for this semester is connected to The Lady's Not For Burning. My approach to Oral Literacy is Oral Literacy x Pop Culture x Performance Studies. I'm enjoying it! I always enjoy teaching performance as it takes me back to some of those roots (I did two years of a performance studies x literature PhD before I defected fully to lit to be a Gothic scholar)

@academicchatter

scotlit , to litstudies
@scotlit@mastodon.scot avatar

CFP: Voices from the Edge in Scottish Literature, Theatre, & Film

21–22 Nov, Université Savoie Mont Blanc, France

Exploring constructs, developments & transgressions within , , &

Guest speaker: Scottish actor & playwright Matthew Zajac, who will be also performing his critically acclaimed play THE TAILOR OF INVERNESS – the first performance of this play in France

Deadline for submissions: 1 Aug

@litstudies

http://www.llseti.univ-smb.fr/web/llseti/320-actualites-du-laboratoire.php?item=2696

avldigital , to litstudies German
@avldigital@openbiblio.social avatar

for the "Les personnages secondaires du grec : élaboration, , , de l’ à nos jours", which will take place at Sorbonne Université from December 5-6, 2024.

🗓️Deadline for Abstracts: May 10, 2024

📌Further Information:
https://avldigital.de/de/vernetzen/details/callforpapers/les-personnages-secondaires-du-theatre-grec-antique-elaboration-reception-reconfiguration-de-l/ @germanistik @litstudies @italianstudies

Tinido , to litstudies
@Tinido@chaos.social avatar

Sound quality is sometimes really awful, but this is a great conversation, where I learned about more in 40 minutes than in some seminars I sat through.
@philosophy @litstudies https://podcasts.apple.com/de/podcast/history-of-philosophy-without-any-gaps/id396903391?i=1000620256548

booktweeting , to bookstodon
@booktweeting@zirk.us avatar

AN EXTRAVAGANTLY THEATRICAL LIFE, onstage and off—the playwright and incomparable diva Charles Busch’s memoir is witty and full of love for his family, friends, mentors, and muses, but most of all for the glamour of acting. B PLUS

https://www.barnesandnoble.com/w/leading-lady-charles-busch/1142959951?ean=9781637744147

@bookstodon

MikeDunnAuthor , to bookstadon
@MikeDunnAuthor@kolektiva.social avatar

Today in Labor History December 10, 1896: Alfred Jarry's play, Ubu Roi, premiered in Paris. At the end of the performance, a riot broke out. Many in the audience were confused and outraged by the obscenity and disrespect they felt in the performance. Others, like W. B. Yeats, thought it was revolutionary. Jarry’s work was a precursor to Dada, Surrealism and the Theatre of the Absurd. Ubu Roi is a parody of Shakespeare's Macbeth and parts of Hamlet and King Lear. However, having recently reread the play, I found an uncanny resemblance between Pere Ubu and Donald Trump.

@bookstadon

appassionato , to bookstodon
@appassionato@mastodon.social avatar

Theatre of the Oppressed

"This text is vital reading for activists, progressives, and all artists trying to effect social change." --John Longenbaugh

@bookstodon

MikeDunnAuthor , to bookstadon
@MikeDunnAuthor@kolektiva.social avatar

Today in Labor History November 3, 1793: French playwright, journalist and feminist Olympe de Gouges was guillotined during the Reign of Terror (1793–1794) for attacking the regime of the Revolutionary government and for her association with the Girondists. Her writings on women's rights and abolitionism reached a large audience in many different countries. She was also an outspoken advocate against the slave trade in the French colonies. In her Declaration of the Rights of Woman and of the Female Citizen (1791), she challenged the practice of male authority and the notion of male-female inequality.

@bookstadon

IHChistory , to litstudies
@IHChistory@masto.pt avatar

Na sexta-feira, dia 3, o Pablo Ruiz Fabo (Université de Strasbourg) vai orientar o segundo workshop , dedicado às metodologias que permitem passar de fontes em papel ou digitalizadas para textos codificados em (Text Encoding Initiative).

Inscrições gratuitas, mas obrigatórias. Presencial e online.

ℹ️ Inscrições no nosso website: https://bit.ly/3Qh7gYL

@histodons
@litstudies

avldigital , to litstudies German
@avldigital@openbiblio.social avatar

for the "Rethinking / as an Encounter: The 2024 NTU International Theatre Conference", which will take place in Taipei (Taiwan) on October 26-27,2024.

🗓️Deadline for Abstracts: January 21, 2024

📌Further Information:
https://avldigital.de/de/vernetzen/details/callforpapers/rethinking-theatredrama-as-an-encounter-the-2024-ntu-international-theatre-conference-taipei-taiw/ @litstudies @germanistik @italianstudies

AnnalesHSS , to histodons French
@AnnalesHSS@sciences.re avatar

In a fascinating article, Andrea Addobbati and Francesca Bregoli use a recently discovered play in French from 1786 to mine into the rapidly shifting place Livornese had in the Tuscan public sphere, in the context of ransoming captives across the Mediterranean.

👉 The Livornese in Algiers: The Question and Political in Late Eighteenth-Century
➡️ https://www.cambridge.org/core/journals/annales-histoire-sciences-sociales-english-edition/article/abs/livornese-slaves-in-algiers/E8B9149DA13E8C1F47ACA8B9F5A56A6B

@histodons

sarahmatthews , to disability
@sarahmatthews@tweesecake.social avatar

A great opportunity for and people interested in - take part in a research and development week, based in Leeds, UK @disability | ‘Otto Weidt is a new musical by Amir Shoenfeld and Caitlyn Burt. The show is inspired by the true story of Otto Weidt – a blind German man who employed visually impaired Jewish people in his brush and broom workshop and shielded them from Nazi persecution. The show features integrated “stealth” audio description, weaving visual information into dialogue, lyrics and soundscapes to create an elevated experience for audiences with any level of sight.’

https://www.amirshoenfeld.com/rnd-call-out

MikeDunnAuthor , to bookstadon
@MikeDunnAuthor@kolektiva.social avatar

Today in Labor History September 7, 1911: French poet, playwright and novelist Guillaume Apollinaire was arrested for stealing the Mona Lisa from the Louvre Museum. They released him after a week. The crime had actually been committed by his former secretary. Apollinaire was one of the foremost poets of the early 20th century, as well as one of the most impassioned defenders of Cubism and a forefather of Surrealism. In fact, he was credited with coining both of these terms, the latter in1917, with respect to the ballet, Parade, with music by Erik Satie, libretto by Jean Cocteau, and costumes by Pablo Picasso. Apollinaire wrote one of the first Surrealist literary works, the play “The Breasts of Tiresias” (1917). He was admired during his lifetime by the young poets who later formed the nucleus of the Surrealist group (Breton, Aragon, Soupault). Apollinaire died during the Spanish flu pandemic of 1918.

@bookstadon

renegaderich , to random
@renegaderich@glasgow.social avatar

Just back from seeing at the King’s Theatre in

Oh wow. It was absolutely stunning! An incredible translation of the novel, with so many extra elements which couldn’t have worked in any other medium except live .

If you have a chance to see it wherever it’s playing next, don’t miss it; it’s a hell of a show!

As we all hopefully know, everything @neilhimself touches turns to magic, like a less cursed King Midas!

avldigital , to litstudies German
@avldigital@openbiblio.social avatar

The Société Suisse des Auteurs is offering up to five "pour la de pièces de " of a Swiss author.

🗓️Deadline for Applications: November 4, 2023

📌Further Information: https://avldigital.de/de/vernetzen/details/job/bourses-de-la-societe-suisse-des-auteurs-2023-pour-la-traduction-de-pieces-de-theatre/ @litstudies @germanistik @italianstudies

Shanmonster , to indigenousauthors
@Shanmonster@c.im avatar

I just finished recording a bunch of stories about monsters for the IMPACT Festival coming up next month. I’ll also be doing a live reading for the show: a Land Back revenge story. https://mtspace.ca/impact-theatre-festival/ @WaterlooEvents @indigenousauthors

passamezzo , to histodon
@passamezzo@hcommons.social avatar

What meat eats the Spaniard?
An anonymous about eating too much fish!
From Blurt Master-Constable. Or The Spaniards night-walke.
[Attributed to] and 1602.

Emily Atkinson:
Richard de Winter:
Robin Jeffrey:
Alison Kinder: bass
Tamsin Lewis:

https://www.youtube.com/watch?v=KVBraD9ZlOA&ab_channel=Passamezzo

@histodons @histodon @earlymusic @earlymodern @earlymodernmaritimestudies

riewarden , to random
@riewarden@zirk.us avatar

I'm looking for Edinburgh Fringe shows about hidden or forgotten history! I feel like I saw lots of shows like this advertised last year, and I didn’t actually see any of them. Please recommend these to me 🥰💛

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