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Their Songs Were Stolen by Phantom Artists. They Couldn’t Get Them Back. | Bad Dog, a group from D.C., was forced to take a crash course in streaming fraud, a shadowy realm that costs musicians $2b/yr

IP lawyers record a little album and can’t get it printed on CD because it’s already been uploaded to Spotify et al. after being stolen from their SoundCloud.

Criminals have scaled the theft, redistribution, and fraudulent streaming via stolen accounts to generate royalties.

BarrierWithAshes ,
@BarrierWithAshes@kbin.social avatar

This is actually way more common than people think. Lotta people think in order to upload music to streaming you need some label connection. Not the case. Just find a distributor like Symphonic, upload and wait for streams. Hope these guys can get their recumpence.

ElBarto ,
@ElBarto@sh.itjust.works avatar

Yeah you just gotta be the first to get the tracks into the system. When I uploaded some of my music to the system it was kinda weird how easy it was.

autotldr Bot ,

This is the best summary I could come up with:

But not long after “The Jukebox of Regret” was finished in July and posted on SoundCloud, nearly every song on it somehow turned up on Spotify, Apple Music, YouTube and at least a dozen other streaming platforms.

Disc Makers, the CD production company hired by the band, was about to start pressing copies of the album and, as part of its routine due diligence, ran the metadata of the songs — their digital fingerprints, essentially — through a program designed to determine if they were originals.

Despite their backgrounds, both men were stymied by the vast and arcane world of music streaming fraud, a realm where anonymous pirates are constantly devising new ways to steal from the $17 billion a year pool of royalty money intended for artists.

In the late 1990s and early aughts, millions of fans routinely downloaded songs from online peer-to-peer file services without paying a penny, a fiasco that cost the industry a fortune.

In the streaming world, 40 seconds of noise is as much a song as “Hey Jude.” To garner listens for these tracks, fraudsters buy log-ins to legitimate accounts on Spotify and other services cheaply and in bulk on the dark web.

Mr. Post stuck with this philosophy for decades, but it was tested after the theft of “The Jukebox of Regret.” The galling part was that Bad Dog’s connection to the songs had been completely erased.

The original article contains 2,239 words, the summary contains 234 words. Saved 90%. I’m a bot and I’m open source!

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