That’s not how that movie was marketed though; it was marketed with a bunch of bad CGI and half-assed adlib because Paul Feig couldn’t write an actually funny script even if he had Mel Brooks and Mike Judge puppeting him like marionette.
What you’re talking about is the same thing I was talking about, the very conception of the idea. Star Trek from the very beginning in 1966 has been about pushing the boundaries of diversity on television.