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Here's some more great records I found for $5 apiece in the same bin as the Captain Beefheart records. Very happy about the Fripp/Eno and David Bowie records. (lemmy.world)

To continue my finds from the flea market from this weekend, I was able to grab some more very good records from the same bin that I found the Captain Beefheart records from my post from yesterday. Again, this person had some eccentric taste, so I was able to pull out some real gems from the batch....

Here's some more great records I found for $5 apiece in the same bin as the Captain Beefheart records. Very happy about the Fripp/Eno and David Bowie records. (lemmy.world)

To continue my finds from the flea market from this weekend, I was able to grab some more very good records from the same bin that I found the Captain Beefheart records from my post from yesterday. Again, this person had some eccentric taste, so I was able to pull out some real gems from the batch....

[OC] my copy of Orange Juice's Falling and Laughing, one of the rarest and most sought after indie records with flexi and postcard. Only 934 were made, with only 200 having the postcard. (lemmy.world)

For today, I will be showing something truly special. It’s not only of musical value, or even monetary value, its of truly historically valuable on its impact on indie music. I am the very happy owner of an original 1980 copy of Orange Juice’s Falling and Laughing. This is the record that truly kicked off the indie-pop sound...

ryuundo OP ,
@ryuundo@lemmy.world avatar

I absolutely do play it, but I still have to manage my plays considering its rarity. It sounds great, and the sound of the record really pops out when you hear the record as compared to online sources.

I randomly decided to just look at who had copies of Falling and Laughing on Discogs (Which you can see in the statistics section). Then I just thought “Would anyone be willing to actually sell it to me?”, and then I message everyone who was visible that had a copy. Most of them said that they treasured this record (for obvious reasons) and would never get rid of it. Then one of the guys emailed me and said he was downsizing his collection, as he was downsizing his home as well. I negotiated with him for about two weeks, and I was able to get a bunch of records, including every other Postcard Orange Juice record.

Chris Knox and his influence on Indie music as a whole (lemmy.world)

Chris Knox is a great figure in the history of New Zealand music. He’s probably one of the more influential musicians in the country’s history, and he has had a hand in promoting the Indie scene of Dunedin that became an international influence. I will cover a basic history of his music career and provide some tracks for you...

[OC] Got a copy of Rìp It Up, the top music mag in New Zealand during the 1980s that covered the Dunedin Sound Scene (story in body text) (lemmy.world)

Rip It Up is a music magazine in New Zealand that was one of the biggest music magazines in the country during the 80s, where it reached a height of 30,000 copies monthly. The reason why I am so interested in this magazine is that it covered the Dunedin and Flying Nun scene extensively during its birthing period and beyond, with...

ryuundo OP , (edited )
@ryuundo@lemmy.world avatar

It’s essentially indie rock that mixes psychedelic rock with some Velvet Underground droney guitars and Byrdsy jangle guitar. Each band has their unique characteristics that come from different influences, but those are some of the commonalities between all of the bands.

Here’s a playlist I made on youtube of the key tracks I’ll be mentioning below.

www.youtube.com/watch?v=7tf1wzg4rdE&list=PLS3FgAA…

First, The Clean: You listened to them here, but you have to listen to their EP Boodle Boodle Boodle. The best way to describe it is “Surf Rock Velvet Underground”. My favorite tracks on it are Anything Could Happen and Point That Thing Somewhere Else. They also have Getting Older, which was originally their swan song, as they broke up due to not being able to handle the success they were experiencing. They formed back together in 1989 and have released quite a few albums, but I think they don’t reach the heights they reached with the first two EPs, those being Boodle Boodle Boodle(which they recently reissued along with their first single Tally Ho) and Great Sounds Great.

The Chills: They were the big band on Flying Nun in the 1980s and early 90s. They have a poppy indie sound that’s appealing and almost has a Twee pop vibe to it in some aspects, and they also have some noisier tracks. Some favorites are Kaleidoscope World, Pink Frost, and Doledrums. Their first 3 albums, which are Brave Words, Submarine Bells, and Soft Bomb are great listening experiences.

The Bats: This band was the band that the bassist from the Clean founded after they initially broke up in 1983. They have more of a folk rock/indie Byrds sound to them that I like. Some favorites include By Night, Claudine, Made up in Blue, and North by North. They have quite a few good albums to check out if you want, my favorites being Daddy’s Highway, The Law of Things, and Fear of God. Silverbeet and Couchmaster are good albums too. This band really doesn’t have any bad albums, go for all of it.

The Verlaines: They were the more artsy band in the early period of Flying Nun. They have more of a classic rock vibe to them. They had a sizable influence on the band Pavement. Some good starting points include Death and the Maiden, Pyromaniac, and Doomsday. These are just single tracks, but their EPs and albums also have good tracks to offer, such as It Was Raining, CD Jimmy Jazz and Me, and Joed Out.

Straitjacket Fits: These guys were more of the rocking side of indie rock. They were apart of the second wave of Flying Nun bands and had some good hard rock tunes to boot, like She Speeds and Dialing a Prayer, and some Beatles-esque ballads like Down in Splendour thanks to their guitarist Andrew Brough (R.I.P). Other notable tracks include Hail and Bad Note For a Heart.

Chris Knox/Tall Dwarfs/Toy Love - I love everything this man did in the 80s and the 90s. He’s basically New Zealand’s David Bowie, and probably the most important person to all of New Zealand music. He first made records with his band Toy Love, who are more straight New Wave and Punk Rock, but they inspired all the bands from Dunedin to pick up a guitar and create their own songs, spawning the Dunedin scene in the first place. Chris Knox also recorded all of the early material by all the aforementioned bands. He then went on to do Tall Dwarfs, which is an experimental mindscrew and one of the original Lo-Fi/home recording bands. They have songs like Turning Brown and Torn in Two with the weirdness factor, then they do psychedelic jams like Crush, and then they do Sign the Dotted Line, an acoustic song that Jeff Mangum even did a cover of. They go all over the place. His solo career also has quite a few bangers, like the ultimate love song Not Given Lightly, rockers like Half Man, Half Mole, and more acoustic songs like Lapse. He is an interesting and important figure in New Zealand indie music and has a vast catalog to look through. It’s unfortunate that he had a stroke in 2009 and can no longer create such great music anymore, but what we do have is great.

Honorable Mentions: Look Blue Go Purple(An all female Indie group), The 3D’s(Noise-Pop extravaganza), Garageland(Power Pop Punk), The JSP Experience(Also pretty weird),Sneaky Feelings(Byrds/Motown Pop sound), Able Tasmans(Indie pop with a level of musical sophistication).

ryuundo OP ,
@ryuundo@lemmy.world avatar

Also, let me know what you think of the tracks.

ryuundo OP ,
@ryuundo@lemmy.world avatar

No problem. Thank you very much and enjoy!

ryuundo OP ,
@ryuundo@lemmy.world avatar

Alphabetically. I’m not John Cusack.

ryuundo OP ,
@ryuundo@lemmy.world avatar

Thank you very much. what kind of stuff do you collect, genre wise?

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