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thevglibrary , to bookstodon
@thevglibrary@mstdn.social avatar

Globalization, Localization and...."Glocalization" (that's a new one for me).

This book offers a comprehensive collection of media studies - with several dives into to the Turkish industry and mobile gaming market. 🇹🇷

Another great resource with a global perspective!

👉
https://www.thevideogamelibrary.org/book/globalization-of-the-content-critical-cases-from-media-communication-and-art-in-turkey

@bookstodon

gewam , to historikerinnen German
@gewam@mstdn.social avatar


Ko-Leitung der Forschungsabteilung „ der Medien- und Informationsgesellschaft“ am Leibniz-Zentrum für Zeithistorische Forschung (@ZZF) zum 1.10.2024 (unbefristet, TV-L 15).
https://zzf-potsdam.de/de/institut/stellenangebotevergaben
@histodons @historikerinnen @digitalhumanities @dh

bojacobs , to histodons
@bojacobs@hcommons.social avatar

At this anniversary time of Kubrick's Dr. Strangelove, one of the best films ever made, I recommend this as the finest scholarship published on Strangelove as a film, as a social commentary, and as an ur text of nuclear culture: Reconstructing Strangelove by Mick Broderick. Essential reading.

@sts @histodons

https://cup.columbia.edu/book/reconstructing-strangelove/9780231177092

josh , to phdstudents
@josh@sciences.social avatar
JustCodeCulture , to histodons
@JustCodeCulture@mastodon.social avatar

Big Blue Misses Out on Action Classic Die Hard (CBI image o' day)

If you look closely (expand color image and on its left), you'll see the Control Data Cyber 180 in 'Die Hard.'

From former CDC employee I. Johnson: "The production co.'s first pick backed out at the last minute. They made a last-minute deal to use our Cybers."

@commodon
@histodons

B&W Control Data office image of Control Data Cyber 180 set up with four office workers. A woman doing paper work in the middle and two workers at machines seated with a man looking over the shoulders at one of the two monitors.

IHChistory , to histodons
@IHChistory@masto.pt avatar

📖 Caterina Cucinotta published a paper about the Italian filmmaker Rino Lupo, where she explores “his period in Russia and Poland (1916–21), when Lupo began to expand his cinematographic activity beyond directing movies to creating a journal and a film school, the first in Warsaw.”

👉 Journal of Italian Cinema and Media Studies: https://doi.org/10.1386/jicms_00197_1

@histodons
@filmstudies

IHChistory , to histodons
@IHChistory@masto.pt avatar

📕 Ana Cabrera is one of the organisers of the book "Media, Populism and Corruption", published by ICNOVA.

The book is the result of the homonymous international seminar that took place in November 2022.

🔓 It is available on : https://bit.ly/493mmIQ

@histodons

josh , (edited ) to academicchatter
@josh@sciences.social avatar

🚨 ACADEMIC JOB ALERT 🚨

Open-Rank TT Position in Media Ethics & Law | UMass Amherst Journalism Department

Posting is flexible regarding approach to the subject matter. Please spread widely within your networks. Feel free to direct questions to me, as I'm chairing the search. I'm happy to call UMass home. I ❤️ my colleagues and students. A lovely, exciting place to work.

https://careers.umass.edu/amherst/en-us/job/520380/open-rank-tenure-track-journalism-ethics-and-law

@academicchatter @communicationscholars @phdstudents

josh OP ,
@josh@sciences.social avatar

^^^ Just a reminder! We start reviewing applications for the open-rank Media Law and Ethics position upthread on October 15th.

@communicationscholars @phdstudents

inquiline , to academicchatter
@inquiline@union.place avatar

Sure, let's make more announcements at 8:30pm on a Tuesday night, why not.

Hey, people! I'm on the editorial board of : The Journal of Sound and Culture, and we are seeking submissions. Please think about putting something in if you are an academic, artist, or ghastly hybrid working on

https://online.ucpress.edu/res/pages/About

@academicchatter @ecologies

estelle , to random
@estelle@techhub.social avatar

“Mass discovered that its audience was ready at all times to believe the worst, no matter how absurd, and did not particularly object to being deceived because it held every statement to be a lie anyhow. The totalitarian mass leaders based their propaganda on the correct psychological assumption that, under such conditions, one could make people believe the most fantastic statements one day, and trust that if the next day they were given irrefutable proof of their falsehood, they would take refuge in ; instead of deserting the leaders who had lied to them, they would protest that they had known all along that the statement was a lie and would admire the leaders for their superior tactical cleverness.”
― Hannah Arendt, "The Origins of Totalitarianism"

sparklebliss , to histodons
@sparklebliss@mastodon.gamedev.place avatar

If you're into You might like this interview two of my students and I have out -- it's with Jessyca Durchin, who produced Barbie Fashion Designer @histodons

https://www.romchip.org/index.php/romchip-journal/article/view/159

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