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nuttydepressor ,

It’s actually fucking awesome and super respectful of the original

SayJess ,
@SayJess@lemmy.blahaj.zone avatar

Chris Broad must be over the fucking moon.

ummthatguy ,
@ummthatguy@lemmy.world avatar

Right you are, Ken.

tactoid ,

Don’t get eliminated!

keeyes ,

discovering that show, during a sleepover when I was a kid was like a fever dream

autotldr Bot ,

This is the best summary I could come up with:

Introduced by the Tokyo Broadcasting System in 1986, the show was essentially a series of wildly difficult physical challenges at which people haplessly flung themselves, risking injury, humiliation or at least a mouthful of off-puttingly dirty-looking water.

Shows such as Total Wipeout, Ninja Warrior, Ultimate Beastmaster – and even Jackass – took Takeshi’s blueprint for elaborate stunts and ran with it.

When we first heard of Takeshi’s Castle, it was on clip shows hosted by Clive James and Chris Tarrant which largely existed to inform British people that foreigners were weird.

The next incarnation was in the form of heavily edited versions that ran on Challenge TV, with a Craig Charles voiceover, and was much more interested in all the accidents than anything approaching a cohesive format.

Not sneered at by Chris Tarrant, or packaged with a culturally insensitive “oriental riff” influenced theme tune.

The success of Netflix’s Old Enough last year should be proof that global audiences are now sophisticated enough to enjoy non-scripted Japanese shows without having their hands held via the medium of jokey commentary.

The original article contains 747 words, the summary contains 178 words. Saved 76%. I’m a bot and I’m open source!

Annoyed_Crabby ,

When we first heard of Takeshi’s Castle, it was on clip shows hosted by Clive James and Chris Tarrant which largely existed to inform British people that foreigners were weird.

The world keep remind each other that every other country is the weirdo 😂

NoSleep ,

This kinda leaves out the most important parts.

Psythik ,

Right you are, Ken.

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